Alienation in Samuel Becketts Waiting for Godot Essay -- Waiting for

Alienation in Samuel Becketts Waiting for Godot The alienation of humanity from truth, purpose, God, and each other is the theme of Samuel Becketts play, Waiting for Godot. The plays cyclical and sparse presentation conveys a feeling of the hopelessness that is an effect of a godless, and therefore, purposeless world. Lack of communication, the brace of mans alienation, is displayed well through absurdist diction, imagery, structure, and point of view. The intent of the play is to evoke a feeling of incompleteness and depression. The conversation between Vladimir and Estragon, the protagonists of Waiting for Godot, seems to be lift of meaning. The play begins with nothing to be done and ends with an unfulfilled Yes, lets go. Suicide was much mentioned and reasoned through in passing, as though their deaths mattered neither to them nor anyone else. Their deaths were besides even recognized by them as a change. They argued about garment and carrots when Estragon, the representa tive of materialistic human nature, was concerned about it. They argued about the thiefs charge in only one of the gospels and spiritual matters when Vladimir initiated conversation. A small-scale goal discussed by Vladimir and Estragon was to pass the time, though they often forgot what twenty-four hours it was, not to mention whom theyd met, where theyd been, and why it ever mattered. Vladimir and Estragon engaged in dialogue with passing travelers Pozzo and Lucky. Luckys speech was a faultless example of the plays meaning. The superficial appearance of Luckys dustup was that he was a fool who once held might over a great vocabulary, but could only toss words together in a confounding miscellany at that time. just now as a deep feeling about the absence... ...keep waiting because Godot promised to travel along tomorrow. But tomorrow never came. In both Luckys speech and the play, the characters, reader, and thesis are left unsatisfied. There is no conclusion to Luckys sp eech. He plainly babbled on until his listeners removed his thinking cap. The play leaves Vladimir and Estragon still waiting. well-educated no god, Beckett sees life as futile and mocks both life and death in his play. Beckett can arouse emotions from his audience by not recording his play in an emotional way. Absurdist theater is far from the melodramatic tragedies of conventional plays. Waiting for Godot is antisocial, devoid of superficial meaning, and empty to its core simply because of its blank, forgetful, and mindless aspects. Yet beneath this clever camouflage is a depth of depression, sprung from a fountain of godless life and non-communication.