Joan of Arc, was painted by the French realist artificer Jules Bastien-Lepage in 1879. later on the province of Lorraine was broken to Germany following the Franco-Prussian War in 1821, The Frenchmen cut in Joan of Arc a new and unchewable symbol. In 1875, Bastien-Lepage, a native of Lorraine began to make studies for a picture of her. In the present create, exhibited in the Salon of 1880, Joan is shown receiving her revelation in her p atomic number 18nts garden. Behind her are Saints Michael, Margaret, and Catherine. (Caption next to moving picture in The Metropolitan) Jules Bastien-Lepage creates a lifelike atmosphere, including a supernatural, religious-like presence deep down his painting. Oil on canvas was personad to create the realistic quality of the work. By fast examining the artists technique, it is clear that he uses gauzy brush strokes in a honest to life manner. The colors, and use of light seem to be painted in a layered fashion to give the landscape a wiz of depth. The stage setting of the painting is a garden which involve foliage and brush that surrounds the primary revolve around of the painting, Joan of Arc. The artist put a great effort into the details of the scene. Bastien-Lepage uses a distinct realistic quality in his painting which is tangible in each individual foliation and branch.

Various hues of worldly concern tones, green and brown being the most evident, are amalgamate together in the garden scene. In the foreground of the painting is Joan of Arc. She is painted with a seemingly thicker paint technique. This makes her a more than easily vi sible aspect in the painting, and catches th! e onlookers eye. Joan is urbane in a long brown skirt and blue-gray clothe with fair underneath which is the typical garments style of the nineteenth century. The clothing is painted to show... If you want to get a dear essay, rewrite it on our website:
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